French New Wave (movement)

The French New Wave (1958-1964) was and still is considered to be the most culturally and creatively influential eras of film in the history of cinema. Before World War II, French films were all similar in that they had dictatorial plots similar to literature and narratives to give the audience a certain perspective to view the film. After France’s release from German Occupation, a very important group of men changed French Cinema forever. These men, better known as the “Cahiers du Cinema,” were a group of intellectual critics that aimed for a new form of film. Also, this small group of men was packed with large talent and ambition, which was ultimately responsible for the advances and creativity produced by the New Wave.
The directors of this era tore away from the traditional styles of film France had seen and took new approaches with their productions. Rather than shooting in a studio with artificial lighting, the New Wave brought about natural scenes and on-site shooting of films. This gave the cinema an avant-garde direction. These so-called “natural” films brought a major realistic demographic in this movement and challenged the audience’s views on the film while giving them the liberty to interpret the screenplay. Not only was the film “natural,” so was the acting and the actors playing roles in these movies. As Françoise Brion put it: “The New Wave was a freedom of expression, a new fashion of acting, and a great reform on the level of make-up. I was part of a new generation that refused to wear the two inches of pancake base paint and hair-pieces that were still standard equipment for actors. Suddenly, you saw actors who looked natural, like they had just gotten out of bed.” Aside from the casual and nature-esque films and actors, the directors of the New Wave worked with low budget products. Some may think working with a low budget takes away from a production. However, in my opinion, the low budget gave these directors a whole new perspective on their creations. They were forced to step outside of their element and experiment with stories, scenery, and music. Without the low-budgets, this era would not have the same whimsical reputation it does today.
After viewing several films from the New Wave, I see significant characteristics in the movies that have impacted actors and filmmakers in today’s industry. The New Wave pushed for “self expression” through stories versus literary “morals” or “values,” rather a more spontaneous and charming storyline. Though the impact of the French filmmakers is significant, the viewer’s expectancy has also changed largely due to this movement. The New Wave brought its audience together to form their own opinions and thrive off of a new approach to creating art. We can certainly look back at the New Wave and admire the fresh and witty approach at the wholesome, vivacious lives viewed in the films of the movement.